Original White Chair. Price: Price not available. Description: Peter Robert Keil transforms a white chair into a portrait that occupies three-dimensional space. A face spreads across the seat, its yellow and green areas enclosed by black contours. Wide eyes look upward, while full red lips provide a focal point. The surrounding structure carries its own graphic rhythm: pink circles crossed with black marks line the top rail, blue accents run down the back, and orange details enliven the legs. White areas separate these gestures, allowing each color to register clearly within the familiar shape of the chair. The result invites viewers to look from above, from the front, and around the object, discovering how the painted imagery follows its changing surfaces. Keil’s expressive visual language gives ordinary furniture a theatrical personality, turning the seat into both a support for the body and a face looking back. The work brings portraiture into everyday space, suggesting how color and gesture can transform our relationship with familiar objects..

Price not available

Peter Robert Keil transforms a white chair into a portrait that occupies three-dimensional space. A face spreads across the seat, its yellow and green areas enclosed by black contours. Wide eyes look upward, while full red lips provide a focal point. The surrounding structure carries its own graphic rhythm: pink circles crossed with black marks line the top rail, blue accents run down the back, and orange details enliven the legs. White areas separate these gestures, allowing each color to register clearly within the familiar shape of the chair. The result invites viewers to look from above, from the front, and around the object, discovering how the painted imagery follows its changing surfaces. Keil’s expressive visual language gives ordinary furniture a theatrical personality, turning the seat into both a support for the body and a face looking back. The work brings portraiture into everyday space, suggesting how color and gesture can transform our relationship with familiar objects.